Showing posts with label Cusack John. Show all posts
Showing posts with label Cusack John. Show all posts

9/06/2009

Class (1983)

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Sophomoric

Jonathan (Andrew McCarthy), a naive country boy, earns a scholarship to a classy prep school. His roommate, the handsome prankster Franklin “Skip” Burroughs IV (Rob Lowe), decides that Jonathan needs to learn his virginity so he sends Jonathan to Chicago, where Jonathan meets Ellen (Jacqueline Bisset), a beautiful mature woman. They begin a passionate affair but when Ellen discovers Jonathan is only 17 years old, she disappears.

Skip invites Jonathan to spend Christmas break with his family and Jonathan discovers that Ellen is Skip’s mother.

Others in the cast include Cliff Robertson as Skip’s father; Stuart Margolin as Balaban who is investigating possible cheating on the SAT; John Cusack, Alan Ruck, Virginia Madsen, Deborah Thalberg, Anna Maria Horsford, and Joan Cusack as Skip and Jonathan’s friends; Lolita Davidovich as a wasted girl; and Dick Cusack as the chaplain.

Directed by Lewis John Carlino.

Run time: 1 hour, 38 minutes

Rated R.

My personal rating: C+, but fun to see the debut roles of several young actors who continue in the industry today

4/30/2009

Say Anything (1989)

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"I am looking for a dare to be great situation."

Lloyd Dobler (John Cusack), underachiever, kickboxer, and recent high school graduate, is smitten with the beautiful valedictorian Diane Court (Ione Skye) but Diane has spent her entire life focused on academics with the goal of winning a fellowship in England. She's neglected the social side of her life. But Lloyd is determined to change that and soon Diane is smitten with Lloyd, too. Their love grows but is complicated by the usual teenage angst and Diane's possessive father (John Mahoney).

Others in the cast include Lili Taylor, Chynna Phillips, Jason Gould, and Jeremy Piven as some of Lloyd's buddies; Richard Portnow and Philip Baker Hall as IRS agents; and Joan Cusack as Lloyd's older sister. Also appearing are Bebe Neuwirth and Eric Stoltz.

Set in Seattle. Includes one of my fav songs, "In Your Eyes," written and performed by Peter Gabriel.

Written and directed by Cameron Crowe.

Run time: 1 hour, 40 minutes

Rated PG-13.

My personal rating: B-

2/17/2009

Cradle Will Rock (1999)

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"Well, you can't climb down and you can't sit still. That's a storm that's gonna last until the final wind blows, and when the wind blows the cradle will rock."

Based on true incidents of the Depression era and the WPA's various projects for artists.

Orson Wells (Angus Macfadyen) sets about to produce a Broadway play about pro-union activities which is reviled as anti-establishment and communist oriented. Nelson Rockefeller (John Cusack) has artist Diego Rivera (Rubén Blades) decorate the lobby of Rockefeller Center. Italian Countess Margherita Sarfatti (Susan Sarandon) sells art for Mussolini.

Others in the stellar cast include Hank Azaria, Cary Elwes, Philip Baker Hall, Vanessa Redgrave, Gretchen Mol, Joan Cusack, John Turturro, Emily Watson, Bob Balaban, Jack Black, Paul Giamatti, Barnard Hughes, and many more.

Written and directed by Tim Robbins.

Run time: 2 hours, 12 minutes

Rated R for some language and sexuality.

My personal rating: A

12/29/2008

Runaway Jury (2003)

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"Trials are too important to be decided by juries."

When a day trader (Dylan McDermott) is shot to death at his office in New Orleans, his widow hires an idealistic attorney, Wendell Rohr (Dustin Hoffman), to sue the gun manufacturer.

The defense team is lead by (Bruce Davison), but the real power of the team lies in the ruthless jury consultant Rankin Fitch (Gene Hackman) who stops at nothing to discover everything he can on every potential juror and even more on those selected to serve on the jury.

Juror Nicholas Easter (John Cusack) and his girlfriend Marlee (Rachel Weisz) on the outside of the courtroom are collaborating to sell the verdict to either the prosecuting or the defending attorney. But what is their agenda?

Complex, with many twists and turns, and much suspense.

Others in the stellar cast include: Bruce McGill, Jeremy Piven, Jennifer Beals, Nora Dunn, Rusty Schwimmer, Luis Guzmán, Celia Weston.

Based on a novel by
John Grisham. Directed by Gary Fleder.

Run time: 2 hours, 7 minutes

Rated PG-13 for violence, language and thematic elements.

My personal rating: B

12/05/2008

Pushing Tin (1999)

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"You land a million planes safely, then you have one little midair and you never hear the end of it."
When air traffic controller Russell Bell (Billy Bob Thornton) transfers to the NYC area from Colorado, a one-upsmanship match begins between Bell and Nick "The Zone" Falzone (John Cusack), the self-proclaimed king of the tower. Bell is quiet but has a reputation as of recklessness while Falzone is cocky and precise.

In short order, the competition leads to the bedroom when Falzone has an affair with Bell's exotic wife Mary (
Angelina Jolie) thus compromising his own marriage to Connie (Cate Blanchett).

Also appearing as controllers are are
Jake Weber, Matt Ross, and Vicki Lewis, with Michael Willis as their boss.

Directed by
Mike Newell.

Run time: 2 hours, 4 minutes

Rated R for language and a scene of sexuality.

My personal rating: B

11/15/2008

Buy the Ticket, Take the Ride (2006)

Hunter S. Thompson of Film

At the top of the mountain,
we are all snow leopards.

In many ways, Hunter S. Thompson was to the late 1960s and 1970s what William S. Burroughs was to the 1950s.

A number of actors, directors, writers, journalists, and politicians speak about the impact of Hunter S. Thompson and clips from interviews with Thompson also appear.

Some of my favorite commentaries include:

In the labyrinth that America became in the '60s and '70s, Hunter S. Thompson just might have been at the center. And in a way, that center still holds. Straddling the worlds of journalism and literature, politics and rock and roll, sports and film, Thompson found himself at the intersection of some interesting times. But interesting times are the oldest of curses and mazes have monsters in them, too. Eventually the permanent address for the good doctor became Owl Farm at Woody Creek, Colorado. A literary salon and a firing range.
~narrator Nick Nolte

Open letter to the youth of America, 1955
Oh youth of America, awake from your slumber of indolence and harken to all of the future! Do you realize that you are rapidly becoming a doomed generation? Do you realize that the fate of the world and of generations to come rests on your shoulders? ...Oh ignorant youth, the world is not a joyous place. The time has come for you to dispense with the frivolous pleasures of childhood and get down to honest toil until you are sixty-five. Then and only then can you relax and collect your social security and live happily until the time of your death. -signed fearfully and disgustedly, yours, John J. Righteous Hypocrite
~prophetic words by Hunter S. Thompson as read by a childhood friend

It was a beautiful rural location [Thompson's Owl Farm] where Hunter could get away with a lot of stuff he couldn't do downtown. Like target practice, blowing up dynamite, blowing up cars. Hunter got a big rush out of putting a half a case of duPont dynamite, 25 pounds of black powder, five gallons of gasoline inside an old Jeep Cherokee and blowing it 300 feet in the air. You can't do that across the street here.
~sheriff of Pitkin County, Colorado

The word is "gonzo." It helped push Hunter Thompson into prominence. And it dogged him to the very end. He created a character, an attitude, a voice, and arguably, a genre to deploy it, an audience to enjoy it, and an entire air to go along with it. In a pivotal moment in the American experience, he minted sentence after sentence that were more furious, funny, and just plain fast than anything else you could get. Many of us discovered him in Roling Stone magazine where Thompson formed a fruitful but combative relationship with editor Jann Wenner.
~narrator Nick Nolte

I think he was a beacon for dissent throughout his whole life. He was a place people could turn to get a moral argument from an immoral outlaw.
~John Cusack

For years I regarded Nixon's very existence as a monument to all the rancid genes and broken chromosomes to corrupt the American dream. He was a foul caricature of himself, a man with no soul, no inner convictions, with the integrity of a hyena and the style of a poison toad. I couldn't imagine him laughing at anything except may a paraplegic who wanted to vote Democratic but couldn't quite reach the levers on the voting machine.
~William F. Buckley reading (with a smirk) from Thompson's Presenting the Richard Nixon Doll

Just as Hunter Thompson intuited the last days of the '60s as the end of the beginning, something about the late '70s must have felt like the beginning of the end. In Hunter Thompson had always been a movie waiting to happen. Released in 1980, Where the Buffalo Roam appropriates the life of one Hunter S. Thompson from the campaign trail to the Super Bowl. Hunter's hottest property to this point was himself.
~narrator Nick Nolte

Hunter Thompson never acted his age a day in his life. He was born old and he remains forever young. "Buy the ticket," he once counseled, "take the ride. But the ticket costs more all the time. And the ride gets a little slower. A little shorter every year."
~narrator Nick Nolte


Sean Penn, Johnny Depp, Bill Murray, Benicio del Toro, Harry Dean Stanton, Tom Wolfe, Ed Bradley, Gary Hart, Leonard Maltin, George McGovern, and many others are also interviewed.

Excerpts from films made from his works include Fear and Loathing in Los Vegas and Where the Buffalo Roam.

Directed by Tom Thurman. Made for Starz TV.

This film would have been better without the brainless prima dona Gary Busey's attempt to direct the interviewer. Looks like he was having yet another of his many gonzo actor moments. But otherwise this was an interesting insight into HST.

Run time: 1 hour, 13 minutes.

My personal rating: B-

10/18/2008

War, Inc. (2008)

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"Unattended cars
will be crushed
and incinerated!"

There's a feeling of Dr. Strangelove in this bizarre satire that made me keep watching even when I thought it was dumb. I'm glad I saw it through to the end.

Brad Hauser (John Cusack) is a paid assassin working for the former vice-president of the USA (Dan Aykroyd), who owns Tamerlane, the American company that is occupying and conducting the USA's first outsourced war in the country of Turaqistan. Under the guise of being an expo organizer, Hauser travels to Turaqistan to assess the situation while his expo secretary (Joan Cusack) runs the expo.

He promptly meets journalist Natalie Hegalhuzen (Marisa Tomei) who is disgusted by Tamerlane's involvement in the country. He also meets young Yonica Babyyeah (Hilary Duff), a tragic woman-child who is betrothed to a cruel Turaqistani.

Montel Williams is the voice of the GuideStar operator who not only helps Hauser navigate when he's flying and driving, but also serves as his unofficial shrink. Ben Kingsley, as Walken the evil Viceroy of Tamerlane, cracks me up with his Texas drawl.

Directed by Joshua Seftel.

Rated R for violence, language and brief sexual material.

My personal rating: B

4/14/2008

Martian Child (2007)

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On Being Different
and
the Power of Acceptance and Love

David Gordan (John Cusack), a science fiction writer, is also a very lonely widower. While entertaining the idea of adopting an older childer, a perceptive social worker (Sophie Okonedo) introduces David to seven-year-old Dennis (Bobby Coleman) who isolates himself by spending daytime in a large cardboard box to protect himself against the rays of the sun. He's unable to bond with others, and seriously believes that he is from Mars and "they" will come back for him.

David is intrigued by this hard-to-place youngster. His sister Liz (Joan Cusack) discourages David from taking this child even for a period of time as a trial. She says Dennis has too many problems, but eventually, when she sees how much David relates to this boy because of David's own childhood isolation issues, she finally turns around her thinking.

The challenges are immense. It's difficult to communicate with Dennis. He steals at school and David is asked to take him to a different school because the child is just "too different." Harlee (Amanda Peet) had been David's wife's best friend since childhood and she sees how much David needs this child and this boy needs David. She has every confidence in the two being able to bond. A child psychologist (Howard Hessman) believes, too.

Meanwhile, David's literary agent (Oliver Platt) and editor (Angelica Huston) are pressing David hard for volume two of his epic tale of a Harry Potter-like boy in the realm of space. Mr. Lefkowitz (Richard Schiff), the head of the adoption board, is disturbed when he does a drop-by visit to David's home only to find David heartily encouraging Dennis to smash plates to the floor over and over again.

All I can say is that I loved this film! I laughed and I cried and I giggled and I wiped more tears and I had a lump in my throat. What an amazing young actor Bobby Coleman is, and John Cusack was certainly a perfect fit for the role of David.

When I finished watching it, I immediately called three people and told then to run right out to rent it, and in the following day, I told at least a dozen others. This is definitely a film I will buy for myself and watch over and over again.

Directed by
Menno Meyjes and based on the book The Martian Child by science fiction novelist David Gerrold who tells his own true story about being the single adoptive parent of an older child who has escaped his difficult reality by deciding he's from Mars.

Rated PG for thematic elements.

My personal rating: A

1/11/2008

High Fidelity (2000)


Life, Love
Work, and
the Inability
to Commit
High Fidelity


Rob Gordon (John Cusack), owner of a used vinyl shop, is enduring yet another romantic breakup when his girlfriend Laura (Iben Hjejle) takes up with the guy who lives upstairs (Tim Robbins).

He's trying to run his Chicago shop with the "mental moron twins" -- the shy, sensitive Dick (Todd Louiso) and the rude, crude Barry (Jack Black) when his friend Liz (Joan Cusack) takes Laura's side and forces Rob to review the top breakups in his life starting with the girl he loved in junior high, Alison Ashmore (Shannon Stillo), proceeding to high school's Penny Hardwick (Joelle Carter), and then to Charlie Nicholson (Catherine Zeta-Jones) and Sarah Kendrew (Lili Taylor).

In the midst, he meets singer Marie DeSalle (Lisa Bonet) at a club and later she visits the vinyl shop leading Rob to fantisize about her.

Through most of the film, Rob looks into the camera to tell his story, similar to the method used for Micheal Caine in Alfie.

Directed by Stephen Frears from a novel by Nick Hornby. Cusack also cowrote the script and produced the film.

Small cameo roles by Sara Gilbert as Annaugh Moss, Dick's new girlfriend.

Rated R for language and some sexuality.


My personal rating: B